The mics’ frequency-response charts are identical. Our Sales Engineers are a world-class team of music gear experts whose sole job is to provide you with helpful advice and unparalleled service completely free of charge. The attenuation switch lets you reduce the signal level without altering the frequency response. The KSM27 has a slight bump in the 50 to 70Hz area, and a smooth rise starting at about 3.5 kHz up to about 8 kHz. A three-position switch on the back of the microphone lets you adjust the low-frequency response. Follow this product to see new listings in your feed! It has low self-noise and extended frequency response that picks up vocal and instrument nuances with clarity. Submit a ticket directly to Shure Customer Service staff, or reach out via phone or email. Most modern mixers provide phantom power. From there, high-frequency response dips very slightly and then continues its rise out to about 15 kHz… I confirmed my preference for the 27 over the KSM32… Cardioid large diaphragm condenser microphone delivers exceptional stage and studio performance applications. Precision-engineered, large-diaphragm side-address microphone for professional live and studio applications. Guitars On Stage and in the Studio: Quiet Is the New Loud, Miking Guitar Amps: Tips from Sound Pro John Mills, Download PDF Local music shops & gear makers are open online and ready to ship your dream gear. The SM27 is a rugged and versatile large-diaphragm, side-address cardioid condenser microphone, with low self-noise and extended frequency response that picks up vocal and instrument nuances with clarity. Three-pin professional audio (XLR), male. Buying music gear can be complicated, but your Sweetwater Sales Engineer is here to help. This helps reduce wind and breath noise. High SPL handling and accuracy allows the SM27 to expand its reach into other sonic arenas, such as guitar cabinets or drum overheads. Submit a ticket directly to Shure Customer Service staff, or reach out via phone or email. Equally comfortable on stage or in the studio.Features Uniform cardioid pattern for superior off axis rejectionSuperior transient response f…, Shure SM27-SC Black Large-Diaphragm Microphone. SM27 SM27 Cardioid Condenser Microphone The SM27 is a rugged and versatile large-diaphragm, side-address cardioid condenser microphone, with low self-noise and extended frequency response that picks up vocal and instrument nuances with clarity. This product meets the Essential Requirements of all relevant European directives and is eligible for CE marking. The Shure® SM27 is a rugged and versatile large-diaphragm, side-address cardioid microphone. Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3. The mic has a cardioid polar pick up pattern, with a frequency response ranging from 20 Hz to 20 kHz. Connecting any XLR mic or 6.3mm instrument to iOS, Android, Mac or PC, creating a high-quality audio portable recorder for vocals and instruments. Sensitivity (@ 1 kHz, open circuit voltage)-56. Sweetwater Sales Engineers help you buy music gear with confidence. Housing The microphone grille consists of 3 separate mesh layers that act as an integral pop filter. Provides an 18 dB-per-octave cutoff at 80 Hz. This makes a cardioid microphone particularly suitable for loud stages. Maximum SPL capability, output clipping level, and dynamic range vary with the input load impedance of the preamplifier to which you connect the microphone. Durable Shure construction features three separate mesh layers that reduce wind and breath This website uses cookies to improve your experience. The CE Declaration of Conformity can be obtained from: www.shure.com/europe/compliance, Headquarters Europe, Middle East & Africa, Flat, –6 dB/octave below 115 Hz, or –18 dB/octave below 80 Hz, ShureLock Shock Mount Rubber Rings (4) for KSM27 and SM27, Cardioid polar pattern—the most commonly used pattern for both studio and live applications, 1 inch, externally biased, ultra-thin, 2.5 μm, 24 Karat gold-layered, low mass, Mylar, Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response and no crossover distortion, while minimizing harmonic and intermodulation distortions, Premium electronic components and gold-plated internal and external connectors, Subsonic filter eliminates rumble from mechanical vibration below 17 Hz, Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs), 3-position switchable low-frequency filter helps reduce unwanted background noise or counteract proximity effect, Integrated three-stage “pop” protection grille reduces plosives and other breath noise, Internal shock mount reduces handling and stand noise, Superior common-mode rejection and suppression of radio frequency interference (RFI), Overhead miking of drums and percussion instruments, Close-miking of acoustic instruments such as piano, guitar, violins, drums, and percussion, Low-frequency instruments such as double bass and kick drum.