To build a major scale you follow this pattern of semitones and tones. The Blues Scale and the Target Notes. The more common minor blues scale has the semitone pattern 1-2-♭3-4-♭5-♭7, and the major blues scale has the pattern 1-2-♭3-3-5-6. But the most important thing is of course how it sounds when you are using it. Here is the Blues scale: a minor pentatonic scale with an added b5. Major scales are usually associated with upbeat and optimistic music. Then, when improvising, you can slide to or from them, string bend into them, play them subtly or stress them, emphasizing their bluesy sound. The A minor blues scale in the 7th position starts with your index finger on the 7th fret of the D string. A blues scale is a six note scale based on the major or minor pentatonic with added chromatic “blue” notes. If you’re unsure of what I mean about this, go ahead and check out part 2 of this series for a broader description. Minor scales. 12th Position. Over the 1 chord Minor pentatonic has an inherently minor flavour (because of the minor 3rd interval), yet it still works well in major key blues and is partly responsible for the blues sound. Let’s look at each type. The blue notes are ♯ 4/♭5 in the minor blues scale and ♭3 in the major blues scale. Tonic – Tone – Tone – Semitone – Tone – Tone – Tone – Semitone . Of course, since the chords behind are different, the scale will sound different too. For the G minor blues progression, you could use the G blues scale. Now that we have focused our turnaround substitutions on the tonic key, we can start to turnaround to secondary keys/chords.. The beautiful thing in playing the Blues is its simplicity. The blues originates from a mix of different sources in music, so there is no satisfying explanation in theoretical terms about this scale. The “Major Blues Scale” is some less common than the “Minor Blues Scale”, and therefore we start with the minor and you will find the major by scrolling down. If the 5 chord is major - melodic/harmonic minor. Minor Blues Progression 6. This scale is also known as the D-shaped blues scale. You will need to shift your hand position up one fret when you reach the B string so you can play notes on the 8th fret with your index finger. For both form 1 and 2 of the A minor blues progression, you could use the A blues scale (meaning the A minor pentatonic scale, plus the blues note). To put this in practical terms, let’s consider a G natural minor scale. They are: 1 - 2 - b3 - 4 - 5 - b6 - b7. Just like the major scale, the natural minor scale has 7 scale degrees. The minor blues scale comes from the minor pentatonic scale, which comes from the full 7-note natural minor scale. In this example, the target chord of the new turnaround is the Ab7 chord found in bar nine.. The most common types of scale are major scales, minor scales and the blues scale. A Pentatonic Minor Notes: A, C, D, E, G. A Blues Scale Notes: A, C, D, Eb, E, G. Try and remember where the blues notes are in each of the 5 shapes. You can use on the minor Blues the same pentatonic scale you use on a dominant Blues! Major Scales. Major key blues scales Many blues solos move seamlessly between major and minor tonality. The previous two bars (Cm7-F7/Bbm7-Eb7) act as a iii-VI/ii-V progression that resolves when it reaches the Ab7 chord in bar nine. Minor Blues Songs.